Harvest — PLPC Salt Lake Valley

Last week 9 of us gathered for our monthly Participative Leadership Practitioners Circle. It was a reconvening after taking the summer off. It was opportunity to welcome my good friend and colleague Roq Gareau to share some of his experience, particularly on working with stories and symbols, from the mythic to the personal, as navigation systems for working with complexity. Another way of saying that is, “Working With What Is In Front of You to Make Things Better.”

First, a check-in that included invitation to share a bit of story about what people experience as complex in their lives.

Second, the telling of the story of “Half Boy” (see further here from Michael Meade, author and men’s movement leader). From the telling of the story, Roq invited each person to pick one thread, or one symbol that stands out to them from the story.

Third, we chronologically reordered how we were sitting based on the threads and symbols that we each chose from the story. Then we spoke to why that symbol caught our attention and how that connects to the earlier checkin we spoke on complexity. It was a reweaving of the story from each of the individual lenses.

Fourth, some continued exploring and a check-out of appreciation and learning.

I experienced it as powerful learning. Helpful process. To me, the skill of noticing the symbols that hold our attention are the ones that create the most helpful learning. It is a question I often ask of people — what has your attention now? This can be asked of a meeting, a project, a dream, a mythic story. The symbol catches what we are projecting and how we are creating meaning and narrative. Thus, attention to the symbol can offer rich, rich learning.

It is my experience that working in this way creates a helpful and needed alternative to working with more analytical and linear ways of thinking. And that people quite like it.

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Gifts of Circle - Question Cardsasd
Gifts of Circle is 30 short essays divided into 4 sections: 1) Circle's Bigger Purpose, 2) Circle's Practice, 3) Circle's First Requirements, and 4) Circle's Possibility for Men. From the Introduction: "Circle is what I turn to in the most comprehensive stories I know -- the stories of human beings trying to be kind and aware together, trying to make a difference in varied causes for which we need to go well together. Circle is also what I turn to in the most immediate needs that live right in front of me and in front of most of us -- sharing dreams and difficulties, exploring conflicts and coherences. Circle is what I turn to. Circle is what turns us to each other."

Question Cards is an accompanying tool to Gifts of Circle. Each card (34) offers a quote from the corresponding chapter in the book, followed by sample questions to grow your Circle hosting skills and to create connection, courage, and compassionate action among groups you host in Circle.

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In My Nature
is a collection of 10 poems. From A Note of Beginning: "This collection of poems arises from the many conversations I've been having about nature. Nature as guide. Nature as wild. Nature as organized. I remain a human being that so appreciates a curious nature in people. That so appreciates questions that pick fruit from inner being, that gather insights and intuitions to a basket, and then brings the to table to be enjoyed and shared over the next week."

This set of Note Cards (8 cards + envelopes)  quotes a few favorite passages from poems in In My Nature. I offer them as inspiration. And leave room for you to write personal notes.

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Most Mornings is a collection of 37 poems. I loved writing them. From the introduction: "This collection of poems comes from some of my sense-making that so often happens in the morning, nurtured by overnight sleep. The poems sample practices. They sample learnings. They sample insights and discoveries. They sample dilemmas and concerns."

This set of Note Cards (8 cards + envelopes)  quotes a few favorite passages from poems in Most Mornings. I offer them as inspiration. And leave room for you to write personal notes.

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